Tag Archives: classic rock

Bryan Adams/Live At Wembley(2017)

This is a live Bryan Adams (1996) from London England  and back in 96 I was kinda starting to get leery what Adams was doing. His album at the time 18 Til I Die was ok to say the least. The title track is real good though. Check it out below thanks to Mr Vevo!

After 18 Til I Die I basically bought one more Adams album and that was it. I will go on record right here saying that guitarist Keith Scott is brilliant. If you don’t believe me ask Ed Van Halen.

So here we are in 2017 and 21 years later comes this Live At Wembley show which thanks to John at his site 2loud2oldmusic had mentioned on his Friday New Release Post about this album.

Off to iTunes and Bam, another purchase. Thanks John!

Adams opens this 24 song set with The Only Thing That Looks Good On Me Is You followed by Do To You which features some nifty like Keith Scott riffs with the aid of the harmonica. For a couple of newbie tracks these cut across pretty good live.

Of course with this album Adams biggie record Reckless is featured predominately and why wouldn’t it! It sold millions and millions . Out of the 24 songs  7 are featured. You know the usual one’s (Heaven/Kids Wanna Rock/Somebody/Summer of 69/Run To You/It’s Only Love which features Melissa Etheridge) are represented from Reckless  but the one I was glad to see here was She’s  Only Happy When She’s Dancing. I dig the Stones like riffage of Adams/Scott with the guitars during the chorus. Such a Great Track!

There are a few goofy spots in the track I Wanna Be Your Underwear and that Robin Hood Track two songs in which I never really dug….

But out of 24 ( which also includes a few cover songs as well) tracks that isn’t to shabby and just like Reckless,1991’s release Waking Up The Neighbours(great studio album wishin House Arrest was on here) has a bunch of tracks as well especially Touch The Hand and There Will Be Never Be Another Tonight which are great songs featuring the driving drums of Mickey Curry.  Everyone goes on about the songs on Waking Up as being like Def Leppard. Course they are as don’t kid yourselves folk’s as producer Mutt Lange has more of a hand in the sound of Leppard than ya think.

In other words Mutt Lange writes how he writes and that’s his deal. Artists like Lep/Adams and Twain made zillions of dollars ..

Back to the task at hand….

Live At Wembley being a 1996 recording is a welcome release in 2017.

If you need a fixin of Adams N Roll. Wembley will do the trick!

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Alice Cooper/Paranormal(2017)

Here’s a conversation I had with Alice Cooper the other day..

Deke- ‘Hello Alice!”

Alice- ‘Deke! Is that actually you returning all these years later to finally buy a new release of mine?”

Deke-“Sure Is!”

Alice-“Hey Stoopid!”

Deke- “WHUT?”

As you can see I never actually had a conversation or met the man.

Believe it or not Alice’s 1991 release Hey Stoopid was the last actual Coop album I had bought as upon its release  I had my brother both pick us copies of this album….

Hey Stoopid had some good stuff especially the title track and Feed My Frankenstein but as is the case sometimes I just stopped buying his stuff.

Until….

July 28th 2017! Crazy how time flies huh? Yep read some good things about this album  and once I had seen a deluxe edition available I took the plunge on the preorder from iTunes.

This album peaked my curiosity on numerous levels. One being Alice has the great Bob Ezrin on board producing.

Coop has brought back some of his old hombres from the Alice Cooper Band from the 70’s(Dennis Dunaway/Neil Smith/Micheal Bruce/Steve Hunter) on two tracks Genuine American Girl  and You And All of Your Friends.

Alice had Deep Purple’s Roger Glover and ZZ Top’s Billy Gibbons drop by for a couple of guest appearances as well!

As well Coop with his current band has added 6 old school Alice Classics recorded live in Columbus (May 2016) for inclusion as well to make this indeed a total deluxe !

The biggest one(for me ) has to be that Alice has shaken things up as well as  he has enlisted of all dudes Larry Mullen Jr from U2 to slam down some drums on 9 of the 12 studio tracks. Awesome to hear Mullen Jr get out from the safe confines of U2 and smash around on the kit!

Paranormal leads the album off with a real cool catchy riff and this track features the co write and Bass playing of Roger Glover! First songs usually set the tone of an album and this one features just that. Love Cooper’s voice as he may not be the best rock singer but with this kind of music it fits his creepy like persona. Slick move at the end of the song to go back to the “well” with that opening catchy riff!

The next few tracks Deadflies and Fireball keep the Coop clipping at a decent clip. Ha! Still can’t believe Mullen Jr has these kind of drum chops in him. Unleash the beast behind the kit. Break free from those shackles that Bono has had around your ankles for decades! Atta boy Larry drum man drum!

Paranoiac Personality features a real cool like drums and bass stomp with Alice sneering and snarling like only he can do. Real cool rhythm throughout and man did someone sample that crazy ‘Psycho” sound bite?

Billy Gibbons like do I really have to tell you what band he is from? Anyhoo he and Alice collaborate on the song Fallen In Love which is a total ZZ and Alice mashup featuring Gibbons laying down that dirty guitar tone like only the Reverend can do! Great solo and can you dig it…Mullen Jr and Gibbons on the same song together?

Dynamite Road has to be an autobiographical lyrical tune  that has that Charles Daniels “The Devil Went Down To Georgia” vibe to it except its played through a Marshall Amp cranked up to 10!

Another real cool groove on Private Public Breakdown which features more cool percussion with once again Alice leading the charge with the guitars sounding heavy at a slower clip than Dynamite Road but still a good swift kick in the ass …

Ahh Horns! Coop incorporates some real cool  Brass in Holy Water. Basically Holy Water is like if one of Coops Boa’s put the choke on a Huey Lewis  tune and squeezed the devil out of Huey! Nice shuffle like vibe!

Rats a typical like Alice tune. Straight ahead Alice rocker. Kind quirky  but you gotta expect this stuff from the man known as Coop! Slick hard rock solo.

The Sound of A. Kinda a creepy send off from Alice. Bizarre like creepy vibe but this is Coopville!

So Alice gets the original mid 70’s Cooper band back together. Genuine American Girl  has that 70’s like Cooper throwback sound. Nice to see Coop reunite with these guys!

The second track featuring the original Coop band is You And All Your Friends has Alice singing he’s going to burn down your city! More throwback like vibes on this tune. Real cool wicked slide guitar solo from Steve Hunter. 

This album totally surprised me at how good it is! Alice steps up and give all involved full props! This album has gotten a ton of press and is selling and charting high around the world as well!

Cool how Alice has a current rock sound on the first 10 tracks whereas when the original Coop band play on the last two tracks it sounds like a 70’s throwback!

Buy This!

 

Rainbow/Rising(1976)

 

Man what an awesome Cover! If that doesn’t make a musical statement nothing will!

My Rainbow listening habits started around the time of Rainbow’s 1982 release Straight Between The Eyes. I basically skipped the whole Ronnie James Dio (RIP)period(my bad) until just recently as this album was on iTunes for $3.98 so it was an easy peasey purchase!

Tarot Woman is a whopper of an opening. Tony Carey opens the album with a 1 minute 40 second keyboard intro. Hows that for laying down some Moog Law? The late great Cozy Powell slams the drums into gear while the rest of the chaps Jimmy Bain(RIP) and Mr Happy Rainbow Himself Ritchie Blackmore provide the sonic sizzle while Dio sings the tale of the Tarot Woman.  Blackmore does his deal with the devil during the solo while Powell is lurking int he background slamming the skins!

Run With The Wolf begins with all hands on deck. The band shifts a slower gear but make no mistake this song is still heavy in a Deep Purple like stomp of yesteryear. Not surprising considering Ritchie had a huge hand in those Purple songs. Dig the almost like slide guitar action during the solo. Great tune.

Speaking of Purple Starstruck  begins like a Purple track(You can hear how much Ritchie had a hand in those old Purple tunes). A real cool groove that chugs down Blackmore avenue and say what you want but the real deal on these tunes is Cozy Powell who is all over the place rhythmically and basically lets Richie loose in his rock caboose to do the stuff that the man in black can do on guitar!

Ritchie takes over and opens the song Do You Close Your Eyes and this is an all out Rainbow jam played at a loud volume! Dio drops down a ton of cool lyrics on this album. I guess you could say that this would be as close to a rock radio track you could get from these guys back in 76….

Powell drops down one of the coolest opening drum fills ever at the beginning of Stargazer. 12 seconds of a drum brilliance and Rainbow  will take you through the stratosphere of time changes  and what nots as only they can for oh lets say 8 minutes and 20 seconds! This song is a bonafide classic. It grabs you by the back of the neck and doesn’t let you go through sweeping musical climates yet never dulling out it just goes and goes and before you know it Stargazer is done! Hard to believe its 8 minutes plus…. On the way out of the door say hello to the Wizard will ya!

How about another 8 minute opus! A Light In The Black fits the bill perfectly and it rockets right out of the gate. Dio and crew play this song at a ferocious clip! I betcha once Powell/Bain/Cary hook up and  start rolling Blackmore goes all batty on his guitar for a good 5 minutes of this track! No ending in site for this song as the band is firing on all four’s.

It’s safe to say that if I was a little older back in 76 i would have been all over this album. It’s all here for the taking! You got Dio scripting all the lyrics to Blackmore’s pedal to the metal riffs. Powell slams the drum kit into smithereens  while Bain and Cary (with his keyboards adding not subtracting from Ritchie) add colours to the Rainbow! (ha that was sappy) Ok how about a boot in the ass! Crazy how it took me 41 years to own this!

Blackmore for a while leaves Deep Purple in the rearview mirror and forges a new identity known as Rainbow!

Great album!

The Black Crowes/The Southern Harmony and Musical Companion(1992)

Folk’s here’s Part Deux of mine and Mikey’s Double Crowes Header! Click the link below for Mikey’s slamming spin on this Classic!

REVIEW: The Black Crowes – The Southern Harmony and Musical Companion (remastered)

Don’t you just love the cover of this album? I sure as hell do! It’s basically the Crowes hanging out in a dump like setting so for all the wham bam Poison like happy 80’s bands trying to scrape by with any smudge of success in the early 90s The Black Crowes are basically about to stomp you out!

Nothing happy around these parts folks..move on but before you do. Dig into the grooves of this album! An absolute scorcher and in my mind (anyways) a 360 degree turn from the Hard Blues Stones like Rock of the debut (Shake Your Money Maker) from two years before!

Southern Harmony is an album of “We don’t give a F**K” we will do what we wanna do!” This album registers on all levels of that previous statement! No real radio tailor-made singles. No sir! Just plug-in and let it rip and through all its 10 songs 50 minutes of music. The co writes between vocalist Chris Robinson and his brother, guitarist  Rich Robinson are brilliant put together pieces of music without worrying about what would make it to the radio.

One big change was in the 6 string dept as Jeff Cease got his marching papers and in comes Marc Ford.  The rest of the Crowes still remained intact and that would be Johnny Colt(Bass),Steve Gorman(Drummer) & Eddie Harsch(Keyboards)

You could sense these guys were already graduates from the we don’t give a shit what anyone think’s thought of school. Fair enough…

Sting Me opens the proceedings and the Crowes are a flying as this is a straight ahead rocker. “If you feel a riot that don’t deny it” sings Chris and were off. Nice tidy like drumming by Gorman who as always does keeps the Crowes beat moving forward. This tune has a live like feel and even the Keyboards are mixed right. Great opener!

Ok. Remedy dropped as a single before the album landed in the shops and all I will say is “This is such a Friggin great Rock Track!” Whether from 1992 or 2017 it is amped and loaded. When i first heard this song I was blown away at the power of it. Just no fooling around B.S and Remedy was holding its own as the Seattle Grungeaholics were trying to wipe all kinds of rock from the map. Kinda like a hostile takeover but the Crowes were having none of that. Heads down in the trenches boys and Chris and Rich cook us all up a Remedy! With Gorman smashing about his symbols the guitars just lift this track right off! Still one of my all time fav-o rock tracks.

Thorn In My Pride is 6 minutes of a jam o ram workout. It’s all here. Chill vibe that ramps up with a snazzy driven keyboard line after the fuzzy distorted guitar solo. Chris battles “Devils/Angels” Hmmm is this about his brother Rich? hahaha….

Bad Luck Blue Eyes Goodbye starts off with Gorman clicking his sticks with the count in as someone chirps about “Weed” beforehand. Bad Ass Rock Hippies! This song has a different vibe. Real chill verses. The chorus wakes up a bit which features the ladies on the background vocals.  See that’s the thing I love about this album is that Crowes just jam out tunes that are pushing the envelope of doing what they wanted. Great chorus!

Sometimes Salvation. Marc Ford has the distinction of being in my all time Top 10 for the fuzzed out supersonic slip n slide distorted solo that is an absolute beast on this track. The first time I heard this tune on my first listen I went back to the solo it’s so freaking good! Sometimes Salvation has that great drum/lead vocal kick that to me along with the solo is like me scrapping around looking for a fix! A fix of Rock! I have always liked this video as  Chris just gives er in the lead vocal department especially when he’s bellowing “Sister do you wanna find me?” Deep man…

Hotel Illness has a Stones like opening featuring some cool percussion and harp to lead off the proceedings. Nice smooth vocal and I like how the Crowes mix it up between vocal/harp on the first verse and shift to vocal/guitar leads on the second verse. 

More harmonica on Black Moon Creeping. BMC is another great track as the Crowes do all the trimmings on this song. A sleazy like groove during the verse and Boom comes the chorus where it goes up one notch and thats due to Gorman and his drums!

The tour opener for the 92/93 tour that touched down in Tbay. No Speak No Slave has a real cool groove love the riffage of the guitars during the chorus. The song just ploughs forward with Colt playing his bass and just being locked and loaded with Gorman while Rich and Marc just jam all out over the map. Chris just bellows and howls and asks ‘Do you wanna be heard?’ Yes I Do! A rip snorting track that goes all bonkers at the end!

My Morning Song is another jam like workout. Tons of slide action from the guitars. No fooling around with a straight ahead rock track Crowesfried just how we likey! Chris man sounds like he’s about to go hoarse on this song and kudos to these guys for just leaving as is alone!

Time Will Tell is a Bob Marley cover that closes up shop on this album. The Black Crowes become Bob Crowes and basically keep the reggae like beat but with keeping an edge on it.

What can you say about this album?

Well…

Considering the Betty Crocker Baked Oven was on full throttle for this album these guys knew what they were doing.

To my listening ears this is a complete left turn from the debut. This album reeks of nastiness(the seedier side of life)but in a complimentary way. No radio like hits. A killer live off the floor recording  that no one back in 92 was doing or for that matter is doing now.

The vocals/musicianship the crafting of the songs by the Robinson Brothers was at an all time creative peak here.  I bought into the Crowes but after this album it was hit or miss with their stuff for my liking…

All time great here!

 

 

The Black Crowes/Shake Your Money Maker(1990)

 

HEY FOLK’S… This week it’s a couple of Black Crowes reviews that are on tap and Mikey Ladano is onboard as well with a couple of reviews of the same album over at his site. In other words it’s “DOUBLEHEADER TIME”.. Click the link below/pour yourself a beverage of your choice and enjoy some fine reading…

REVIEW: The Black Crowes – Shake Your Money Maker (remastered)

You know Rolling Stones keyboardist Chuck Leavell  who played the   Ivories on Shake Your Money Maker must have told his bosses Mick & Keef about the Black Crowes. Wonder if the Glimmer Twins heard this album before it hit the streets for mass consumption back in January 1990?

If so I betcha Keef lost his shit when he heard that opening riff of Stare It Cold as Crowes guitarists Rich Robinson and Jeff Cease sound like a jacked up version of Richards/Wood? That opening riff has so much muscle…Ok I’m getting way ahead here ….

So It was the release of this album I came across in one of my weekly jaunts to the record store(Jan/90) and came across SYMM on CD in the new release bin.

It easily caught my attention as these 5 dudes on the cover looked rock and well it was a no brainer and I got money in my pocket burnin a hole so there ya go! (wish I could say that now!) I think I may have seen a bit of promotion in the magazines about this disc but it was little…Boy would that change in a few months!

My first impression on listening to Money Maker was how Stonesy like it was. I read later in reviews as well that it had an element of The Faces but I can’t really comment as I’m not a Faces fan…so we go with the Stones vibe but with a more amped up sound!

George Drakoulias captures the sound of the Crowes brilliantly on the debut and funny thing was when this album took off Rick Rubins name was added as co producer as Rubin owned the label but had really nothing to do with the production of this album which irked singer Chris Robinson.  Actually you have to hand it to Chris as once this album started moving units The Crowes were invited to open for ZZ Top but once Chris started saying that it sucked that some bands needed corporate sponsorship  to promote a tour( ZZ was sponsored by Miller Beer for their 1990-91 Tour. I can back Chris up as when I caught this tour the ZZ shirt underneath the Tour dates on the back had Miller as a sponsor. Kinda irked me but hey I’m the ding-dong who bought the T in the first place!) The Crowes were punted off the ZZ tour. ZZ canned em in Atlanta (Crowes turf)

Twice As Hard opens the album and from the outset you know this badboy is gonna be jammed with bunch of Riffs and a ton of Rolls! Cease and Rich drive forward with there playing and drummer Steve Gorman keeps the Crowes movin along. Chris has a bit of a southern rasp in his voice which is quite frankly Awesome. Real good put together straight ahead opening tune!

Wow man did this song take off eh? Jealous Again is track 2 and once again it’s a riff that starts the track. This is the tune I betcha Keef would say he wish he had written! The guitars play almost in a chill like vibe and ramp up with that Stonesy vibe during the chorus!

Sister Luck. Plain and simple another real slick like track. Jeff and Rich inner channel once again Keef/Ronnie and this song just drifts along and Chris sings it perfectly. Awesome Chorus!

Could I Have Been So Blind kicks the doors off its hinges with a super-duper coolness and its the Crowes taking the party and moving on.

Seeing Things is a great track! Seeing things for the first time! It may take a while as Chris lyrics say but it will be more evident as time passes on! Gorman keeps the train a moving so this track doesn’t dip into Sapville! JellyFish!

Gorman lays down the groove and were off with Hard To Handle (Otis Redding Cover) and this song was everywhere in the Summer of 91. Great beat played but the fella’s and I like that little snippet of when the tempo picks up right before the verse! Pretty cool Crowes on the road video that was shot of the Crowes to plug this tune!

Got a chainsaw buzzin’/Who’s that cussin’? and this is the opening line to the fantastic Thick N Thin! Clocking in at 2 minutes 44 seconds and it’s the Crowes rolling  up with plenty of riffs n spiffs and along with Colts bass line and Steve driving the drums this track is a scorcher. Cease and Rich’s guitars are fired  up on this album.

She Talks To Angels features the acoustic guitars that are in the forefront and its the Crowes spreading there wings and the track must be about a long-lost friend who succumbed to addictions. This track was a big single as well.

Struttin Blues another straight ahead rocker that features a nice Hammond Organ rocking along with the boys. 4 on the Floor stomper of a track!

Remember about what I had written in the first paragraph of this review about being jacked up with a cool riff that Keef and Ronnie would and wish they could devour? This is indeed time for Stare It Cold. Big and I mean Big riffs along with Gorman snare drum that sounds like a shot being fired along with the big Bass drum propel this tune into utter coolness! This is one of the Crowes finest tracks I have ever heard! Love the Verses/Chorus/Solo’s and cue end of song crazy jam out mashup of everyone including Chris whose about to unravel at the speed of the song. Whooooosh! So good, that opening riff is pure gold! My CD has some creep out eery what the hell it is tied to the end of this track…hahaha…Silly Crowes …

When you talk about killer debut albums in the rock spectre SYMM has to be included as there are no dud’s on this album. I’m sure these songs were built from the rehearsal space into the bar stages and into the recording studio where the sonics captured the rest!

The playing on this record is infectious. Must make note of the guitars of Robinson and Cease. They intertwine each other so well and of course when this tour wrapped up Cease got the heave-ho to be replaced by Marc Ford. Shame really for Cease as everyone loses their shit over Ford and his playing on the follow-up to Moneymaker(myself included) but give it up for him. Hell I would think this is the best-selling album in the Crowes catalogue so that’s gotta stand for something correct?

Check back round these parts this upcoming Friday when myself and Mikey drop down another review….

Cheap Trick/We’re All Alright(2017)

 

A few months back I had a great conversation with Scott (HMO) about all things Cheap Trick. We discussed at great length our fav albums of Cheap Trick(basically the whole 70’s output) and the not so good stuff (basically the whole 80’s output except for the very underrated 1982 album One On One) and the soon to be released We’re All Alright (which has been out since June 16th)

Scott said he was going to wait this one out before taking the plunge as Scott did indeed take the plunge on Tricks studio release from last year Bang Zoom Crazy… Hello. Let’s just say Scott was a tad little disappointed to say the least and I will leave it at that! Bug Scott if you want more info….

I almost joined Scott’s line of thinking. A few weeks back I was in our local record store “Sunrise Records” and I actually held the physical copy of the disc  in hand. I hemmed/hawed/more hem/more haw and then put it  in my pocket and walked out! HAHAHA….no I did not lift it I put it back in the Cheap Trick section and walked out. I could not pull the trigger purchase on it…..

Jon from Sweden posted a quick little blurb on Facecrack that he was loving the new CT album. I sent Jon a message saying “really?” Jon said it was a great album…

Than….another fella named….

John over at his fantastic written Blog 2loud2oldmusic site reviewed We’re All Alright and John loved it…Check it out for yourselves… Click the link below folks’

Cheap Trick – ‘We’re All Alright!’ – Album Review

John’s review sold me on it so off to iTunes and I downloaded the deluxe edition and as an added bonus the Trick included the digital booklet!

Upon first listen I was hooked! It’s an amazing album and it’s as CT dug back to their roots and decided to rock it out and if were keeping score this is my first new studio Trick purchase since the brilliant 1997 self titled release! 20 years it has been….

Robin Zander/Tom Pettersson/Rick Nielsen and Daxx Nielsen need to be saluted here for all intents and purposes may have in my mind made the best Rock album of 2017!

Right out of the gate Trick fires on all four cylinders on the song You Got It Going On. Zander still has one of the best sets of pipes in the biz. Listening to his voice you wouldn’t know it was 1977/1987/1997/2007 or 2017! 40 years man! What a vocal run. Rick Neilsen looking today more like a creepy old Uncle than the Geeky College nerd of 1977 still has a ton of classic riff’s up his sleeve!

First single Long Time Runnin is a great track. Straight forward hard rock done Trick style! Cool lyrics and of course a real good lead vocal by Zander. Must also mention about the production by Julian Raymond as he has produced this album brilliantly. Not too much polish on this album yet still keeping it  a little rough around the edges.

The next two tracks Nowhere and Radio Lover ( Radio Lover was a demo from 97)are brilliant tracks and man I just love Tom’s 12 String Hamer Bass and Daxx’s drum  workout’s  on these tracks. Nowhere and Radio Lover could have easily fit right  on the debut Trick album back in 76! Basically a pissed of Trick dumped into a blender with some punky attitude rock.

Brand New Name on a Old Tattoo has Robin wailing like it’s Auf Wiedersehen time. Can’t believe Zander is still rocking the throat like this in 2017.  This is another hard rock track. Love the groove.

Basically let’s put it this way. 5 tracks in so far! 5 Brilliant well written Hard Rock Nuggets!

Oh oh here it comes….The ballad……oh man ….wait for it! Floating Down is ballad like for about a minute and then shift gears to a tempo that I’m comfy with! That’s thanks to Daxx on the drums. The Flame from 1988 has been extinguished!

She’s Alright has the band picking up the pace with some  roots like rock action. Love the opening bass and drum groove to start the tune. Cool laid back musical  vibe with a cool laid back vocal vibe.

Listen To Me is another throwback 70’s workout and Tom and Rick lock horns and stomp all over the verse’s while Robin just flat-out takes over which will come as no surprise!

The Rest of My Life ends the regular album with a mid tempo like tune. Another sure-fire winner with a real sweet Trick like chorus!

The Deluxe Version features three more tracks…!

Trick does a cover of The Move’s song BlackBerry Way with Cheap Trick’s gives it a Beatle’s like stamp. No lagging on the bonus tracks even with a cover included! Like the all the swirling like action going on in the background.

The Fly gets things back to rock with  some Rick feed backing off of his amp. The Fly is a great hard rock tune with Tom playing a bunch of solid bass licks under the drums and guitar.

Everyone is saying that the final track If You Still Want My Love is the followup up 1982’s If You Want My Love. Perhaps but like the 82 classic this 2017 song is a great track. If I had it my way I would have ended this album with The Fly as I always like to go out Rockin but still since the Tricks did a solid album I can forgive em for this . Bottom line is a great track is a great track and this is well….you get the picture!

Well what can I tell ya!?  Cheap Trick have dug deep into there 1970’s vibe and in the year of 2017 have totally blown me out of the water on how good of an album this is. You know my deal with these guys through this blog. Loved all that 70’s into the early 80’s output than their collective wheels came off on the various 80’s albums(The Doctor/Lap of Luxury/Busted/Woke Up With A Monster) yet I still purchased their output as Cheap Trick was one of those earliest bands that I had discovered on my own!

I must also mention that in all the rocked up glory on this album I like how Trick uses some strings throughout the album(the track Nowhere being one). For myself these kinds of things remind me of way Trick did things back on the classic Dream Police.

Hell,even the front and back covers look throwback.

So good to see these guys ramp it up with a 13 song album that flies by with one catchy hook after another…

A Must Own!

Aerosmith/ALOHASMITH(Live 1983) Bootleg

 

Ya gotta love Bootleg Soundboard recordings! What you hear on your stereo/iPod or whatever device you listen to your music on  is what you would have heard that night in Hawaii back on January 4th 1983 when Steven Tyler and the Boys in Aerosmith bashed out there song’s that night blasted!

Blasted in the most possible way as Aerostoned could! I love this stuff when I come across Boots as you can hear a band nitty and gritty with no studio fix up!

Aero, needs no fixing….

Jimmy Crespo and Rick Dufay here are the guitarists and nowhere to be found are original axe men Joe Perry and Brad Whitford having had already bolted(Perry in 1980 and Whitford in 1982) yet this is a real cool recording as the album and tour this is from (Rock And A Hard Place) is the only tour Dufay and Crespo did together.

You get the classic Aero Tracks like opener Back In The Saddle/Big 10 Inch Record/Lick And A Promise/Lord of The Thighs/Dream On/Sweet Emotion/Toys In The Attic played with a piss n vinegar approach. Aero was still headlining arenas but issues with Tyler passing out during shows was starting to ween on promoters but here in Hawaii Tyler shows up sings the tunes at times a little off-key rambling a bit between tracks BUT this is LIVE ROCK N ROLL!

I have always had a fondness for Aero 1982-86 when they were not so big on selling albums as Aero were basically fuckin stoned and in another time zone yet they in my opinion bashed out a couple of real good rock records in the polished kinda sounding Rock In A Hard Place and the Aerostoned rough sounding Done With Mirrors(when Perry and Whitford returned). Much debate has been made around these parts about DWM’s high scoring here(haha ).  I’ll leave it at that!

Too be honest perhaps those years (82-86) resonate with myself and TBone more than the common AeroFan as 1982 was the year I discovered Tyler and Crew as an 15-year-old!

The real selling feature of this recording are some of the tracks like Three Mile Smile and Reefer Head Woman from 1979’s Night In The Ruts album. Love the groove of Three Mile Smile with Drummer Joey Kramer driving the beat of both these tracks.

Lightening Strikes and Rock In A Hard Place are the only two  tracks that were played from the current release at this show which was a shame as there are a bunch of great tracks on Rock In Hard Place that could have been played live….

The band is focused on the two new tunes oddly enough especially the title track (Pushing new AeroProduct) which is hilarious where at other times Aero gets loosey goosey with some of the older tracks!

AlohaSmith is a great listen and considering it’s probably been bootlegged a million times over is a cool one to listen to as just a year later Perry and Whitford returned and Crespo and Dufay were let go!